Asturias from the series "Guitarissimo" - 55 recital pieces from 5 centuries for guitar solo, edited by Martin Hegel - Arrangements were judged a little pejorative in the music world for a long time, today the interpreters are much more open. The classical concert repertoire is rich and knows many wonderful pieces. Asturias of Albeniz belongs for example, it is one of the most popular works of classical guitar literature, because the original piano piece deliberately aimed to imitate the sound of the guitar. Many guitar players have the desire to play such works on the guitar and get to know them better. Therefore, this anthology offers 55 well-known classical masterpieces in arrangements that are optimally adapted to the guitar and still remain as close as possible to the original. Among them are not only classical melodies but also editing classics of the guitar repertoire to tangos of South American music, which are particularly suitable for the guitar. Some historical arrangements by contemporary celebrities of music history, such as Mertz, Coste and Tarrega et al. are a special addition to this collection. The present collection is a treasure trove for lessons, concerts and leisure and progressively arranged according to the level of difficulty. Most arrangements are in medium difficulty. In the beginning there are a few lighter pieces to get you started, but in the end there are also a few transcriptions from the upper level, 104 pages. Content: easy: Traditional: Yankee Doodle, Anonym: Greensleeves, F. Mendelssohn Bartholdy: Sommernachtstraum, Traditional: O sanctissima, Traditional: God Save the King, J. Krieger: Menuett, J. Strauss (Vater): Radetzky-Marsch, C. Petzold: Menuet, Traditional: Alons, enfant de la patrie - intermediate: A. Vivaldi: Largo aus "Winter", J. Strauss (Sohn): An der schönen blauen Donau, L.v. Beethoven: Menuett, op. 27 No. 14, E. Satie: Gnossienne, Traditional: Mamma mia cara, G.F. Händel: Choer de Judas Machabé, J. Pachelbel: Kanon, Traditional: The Last Rose of Summer, Traditional: El Condor Pasa, J. Haydn: Chant national autrichien, E. Grieg: Solveigs Lied, F. Couperin: Les Barricades Mystérieuses, J.S. Bach: Air, C. Franck: Quasi Lento, G.F. Händel: Lascia chi'io pianga, J.-P. Rameau: Tambourin, J.S. Bach: Jesu bleibet meine Freude, H. Purcell: Rondeau, C. Gardel: Por una cabeza, E. Granados: Billanesca, T. O'Carolan: Shee beag, shee more, M.M. Ponce: Estrellita, A. Villoldo: El Choclo, D. Scarlatti: Sonata K. 208, S. de Yradier: La Paloma, G.M. Rodriguez: La Cumparsita, G. Bizet: Habanera, D. Scarlatti: Sonata K. 483, W.A. Mozart: Thema aus Piano Concerto, R. Schumann: Mignon, F. Chopin: Prelude, W.A. Mozart: Sinfonie g-Moll, M. de Falla: Danza del Molinero, Traditional: El Noy de la mare, E. Nazareth: Odeon, E. Elgar: Salut d'amour, M.M. Ponce: Scherzino Mexicano, I. Albeniz: Asturias, S. Joplin: The Entertainer, Oberstufe: J. Brahms: Walzer, op. 39/8, Z. de Abreu: Tico tico no fubá, Traditional: Malaguena, G.F. Händel: Courante HWV 441, F. Schubert: Ständchen, R. Schumann: Träumerei, L.v. Beethoven: Mondschein-Sonate -
