Arranged for guitar solo byTilman Hoppstock - The cello suite no. 5 BWV 1011 exists in addition to its original version also as an arrangement made by Bach himself for lute (BWV 995), on which one can orientate himself for a guitar transcription. In the introductory part of the prelude, however, the bass-voice progressions from the cello version were taken over in places. The Tres-Viste-Part again appears here as a three-part expanded set of a fugue. Other changes compared to the cello and lute settings: The opening bars in both parts of the Allemande, a few bars of repetition in the Courante and the complete Da Capo version of the first Gavotte. In the sarabande - with its strong dissonance effect and the often difficult to verify harmony transitions - T. Hoppstock could not resist choosing editing and fingering in such a way as to produce a consistently chordal interlacing of the notes, with an elaborate preface in German and English and fingerings
